By Eric Holmberg - Posted at The Apologetics Group:

First, credit where credit is due: Prince’s talent was immense. Because of the spirit and the themes of his music and persona, I was never a fan­. Quite the opposite—I produced a number of documentaries dusting pop music for the fingerprints of evil spiritual influences and always found Prince to be a fertile source of evidence. Nevertheless, as a writer, producer, multi-instrumentalist, performer, innovator, cross-musical-style virtuoso, impresario and champion for the artist and the art in an often corrupt industry, Prince may have no living peer. 
From an eternal perspective, however, his life and talent are also are also a cautionary tale as to where genius can lead when untethered from the “ancient paths” (Jer. 6:15-16) and left to pursue a combination of eroticism, a “follow-your-heart” brand of spirituality and a fascination with speculative, apocalyptic, “Biblical” (so-called) prophecy. 
Raised a Seventh Day Adventist, Prince Rogers Nelson was—to use Flannery O’Connor’s useful phrase—ever the “Christ-haunted” artist. Imagery from the Bible, particularly the books of Genesis and Revelation, were frequent themes in his music. The problem is that he merged them with his other primary—at least for the first and most influential half of his career—channel of spiritual/mystical enlightenment: a form of sex magic that would have made the Great Beast, Aleister Crowley, proud. I won’t take the time or defile the reader by quoting lyrics or linking to videos documenting his many debaucheries. They are legion. And legendary. ...
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